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The Boys' Fear and Belief in the Beast

Lord of the Flies

The Boys' Fear and Belief in the Beast is a collective state of uncertainty that increasingly governs life on the island. A dark, moving figure on The mountain seems to confirm the boys’ worst suspicions, but what they have seen is a dead parachutist caught in his lines and moved by the wind. Simon discovers this natural explanation; before he can tell the others, the frightened crowd kills him. The beast is therefore more than a mistaken identification: fear makes an unknown object seem alive, gives political force to competing claims about safety, and helps turn a group seeking rescue into a violent tribe.

From Uncertainty to Apparent Proof

Fear intensifies after Ralph and Jack Merridew return from The mountain convinced that they have seen a beast. Ralph recalls the panic of their descent and describes a creature with teeth and large black eyes. Piggy repeatedly asks whether the sighting is certain, but Ralph can offer no reassurance about what it was or whether the boys are safe. The darkness and the distance have left them with an image rather than an explanation, and the image carries more authority than anyone’s ability to examine it.

At the next assembly, Jack Merridew presents the sighting as a report of fact: he says the beast sat up and looked at them when they came within a few feet. The assembly supplies possibilities of its own, placing the creature in the sea, darkness, or trees. Jack Merridew then characterizes it as a hunter, turning the boys’ uncertainty into the expectation of pursuit. He also uses the expedition to attack Ralph’s fitness to lead, accusing him of cowardice and claiming that his own hunters are not afraid. Ralph admits that he, too, ran away. The dispute thus does not settle what the boys saw; it makes fear a test of courage and leadership.

Fear as a Political and Social Force

Jack Merridew’s response to fear shifts as he gathers followers. He tells his new group that they will not concern themselves with the beast and urges them to forget it. Yet he also proposes that after killing a pig they leave some of the kill for it, in the hope that it will not bother them. The two measures coexist: publicly dismissing fear helps distinguish his group from the rule-bound assembly, while making an offering treats the beast as a danger that might be appeased. Hunting and feasting offer an immediate answer to anxiety without resolving what the boys fear.

The belief survives this change in policy and is given a place in the tribe’s explanations and precautions. Jack Merridew warns his followers that the beast might come into their stronghold, recalls how it crawled, and says it may return even though they gave it the head of a kill. When one boy raises the difficulty that they did not actually kill the creature, Jack Merridew rejects the implication and suggests that it was disguised. The tribe falls back into shared apprehension. His account makes the beast difficult to disprove: an apparent encounter confirms its presence, while the failure to kill it can be taken as evidence that it remains dangerous and elusive.

Fear also becomes a group practice. The boys’ chant and reenacted hunt offer a repeated, collective response to danger, while the gathering around the circle makes the terror feel temporarily contained. The sequence reverses when a figure crawls from the forest. The boys mistake Simon for the beast as he tries to communicate about the dead man on the hill; their chant continues as they strike and tear at him. Darkness, noise, and the crowd’s movement overwhelm the distinction between a threatening creature and a boy trying to deliver news. Their belief has become more than an idea they can discuss: it directs their bodies toward violence.

Simon’s Discovery and the Missed Explanation

Simon reaches the summit and examines the figure at close range. He recognizes how the parachute’s tangled lines hold the body and how the wind lifts and bows it, producing the appearance of movement. He sees the remains of the face and understands that the apparent beast is a dead man. The discovery replaces a supernatural threat with a grim but human explanation: the boys have mistaken a corpse moved by the wind for a living attacker.

Simon frees the parachutist’s body from the lines and rocks that catch it. From The mountain he can also see that the fire near the meeting place appears out, while smoke rises farther down the shore, where the boys have shifted their camp. He understands that the others must hear what he has found and starts down the mountain, but his legs fail beneath him and he can manage only a stagger. The truth is clear to Simon, but it is not yet shared knowledge among the boys who need it.

As a storm breaks, the boys gather in a dance. Simon emerges from the forest trying to speak about the dead man on the hill. The group sees a dark, uncertain figure approaching through the rain and responds to it as the beast. Their repeated chant accompanies the attack, and the boys’ fear culminates in Simon’s death. The scene makes the gap between knowledge and belief decisive: Simon has identified the body, but the crowd encounters him through its established expectation of a monster. His attempted explanation cannot interrupt the ritual before it becomes fatal.

The Fear’s Afterlife and Significance

The parachutist’s body is subsequently carried away by the wind and sea, removing the physical evidence that could have corrected the boys’ mistaken belief. The body’s disappearance does not prove the beast exists; it leaves the boys without the means to confirm Simon’s discovery. The fear can therefore persist even after the object that prompted the mistaken sighting is gone. In the aftermath, the tribe can continue to imagine that the creature is present, hidden, or capable of disguise.

The boys’ responses reveal how fear changes what counts as evidence and whose account is heard. Ralph and Jack Merridew have both run from the sight, but Jack Merridew turns that shared reaction into an accusation against Ralph. Later, his claims about disguise protect the tribe’s belief from contradictory memories. The fear is not simply imposed on the boys from outside: their guesses, arguments, ceremonies, and acts of violence repeatedly renew it. Simon’s discovery offers a natural explanation, but the boys never receive it as a group. Their conviction persists not because the beast is shown to be real, but because terror and communal behavior have made it powerful enough to shape events as if it were.